Tag: The KLF

Justified And Ancient is the final single commercially released by The KLF in 1991, considering America: What Time Is Love? had already been released in the US a month before. Since the chorus had already appeared on 1987 it could also be considered the one the longest in the making….

America: What Time Is Love? is a beefed-up, guitar-heavy remix of The KLF’s 1990 Live A Trancentral version in celebration of the 1,000th anniversary of the discovery of America by The Justified Ancients Of Mu Mu in 992 (or so they claimed). While the single’s slightly updated verses were once…

The Stadium House Trilogy is a video collection featuring the first three singles taken from the White Room album, as well as a 14 minute making-of (UK release only). Even though videos for What Time Is Love? and 3 a.m. Eternal already existed The KLF created new clips for their…

12″-only remixes of the Live Of The Lost Continent version by The Moody Boys. As with previous Moody Boys singles both the 808Bass and 120 Rock Steady mix bear little to no resemblance of the original track, with the former featuring Maxine Harvey’s vocals from the refrain of the unreleased…

Following the chart success of 3 a.m. Eternal The KLF released Last Train To Trancentral (Live From The Lost Continent) in April 1991 which marked the third and final entry in the Stadium House Trilogy. The track’s origins can be traced back all the way to Go To Sleep, though…

With the updated original just having entered the UK Top 40 at #5 The KLF timely released 3 a.m. Eternal (The Moody Boys Selection), a collection of 12″ only remixes by The Moody Boys just one week later.

Released in early January 1991, 3 a.m. Eternal (Live At The S.S.L.) was The KLF’s second #1 single after Doctorin’ The Tardis. Like What Time Is Love? before it 3 a.m. Eternal is an updated and heavily remixed version of its Pure Trance predecessor. The KLF decided to keep large…

Waiting is a 42 minute ambient video of Bill and Jimmy wandering across the Isle of Jura, doing nothing in particular. Its soundtrack can be described as a slightly darker version of Chill Out. In 1997 the soundtrack was released as one half of Echo Beach’s Waiting For The Rights…

Remixes of the Live At Trancentral single featuring versions by Echo & The Bunnymen (who had previously been managed by Bill Drummond on the Zoo Records label) and The Moody Boys, as well as the very Chill Out-esque Virtual Reality Mix by Bill and Jimmy themselves.