The album that catapulted The KLF into mega-stardom. The White Room spawned three hit singles of which one (3 a.m. Eternal) got them to Number One in the UK (their second after Doctorin’ The Tardis).
Tracklist
| A1 | What Time Is Love? (LP Mix) | 4:37 |
| A2 | Make It Rain | 4:06 |
| A3 | 3 a.m. Eternal (Live At The S.S.L.) | 3:14 |
| A4 | Church Of The KLF | 1:42 |
| A5 | Last Train To Trancentral (LP Mix) | 6:04 |
| B1 | Build A Fire | 4:39 |
| B2 | The White Room | 5:14 |
| B3 | No More Tears | 9:24 |
| B4 | Justified And Ancient | 4:43 |
Reviews
‘The White Room’ is, to a large extent, The KLF playing safe. Anyone whose introduction to the JAMMS-Disco 2000-Timelords-KLF saga was via the ‘stadium house’ reworking of ‘What Time Is Love?’ last year, will be ever so pleased with this remarkably strong and cohesive LP.
Tim Nicholson, Record Mirror, 2 Mar 1991 (Album Of The Week)
In essence, ‘The White Room’ is a neat summation of Drummond and Cauty’s colourful history – it embraces their previous JAMs-related guises while still updating the Kopyright Liberation Front’s corporate identity.
Anthony Farthing, Sounds, 2 Mar 1991
In many ways, it’s their most subtle, successful and dangerous musical mischief to date. 1991: what the f*** is going on? Love it.
Push, Melody Maker, 2 Mar 1991
There’s a hell of a lot of reasons to admire The KLF but I’m afraid ‘The White Room’ isn’t one of them. For the most it’s nothing more than background noise, and you’ve been paying attention to the lives and times of Drummond and Cauty you’ll know how dynamic ‘The White Room’ should be.
James Brown, NME, 2 Mar 1991
Flawed, brazen, hilarious, wildly exciting and warmly knowing samizdat manifesto from the new kings of art-disco.
NME, 21 Dec 1991 (#41 Year End Album Countdown)
Indeed, this would indicate that [the album’s] release was little more than a cash-in on their new-found success […], where it not for the strikingly imaginative way in which the duo approached their task. […] A more subtle form of subterfuge than before, this LP will appeal to recent converts and hard core fans alike.
Iestyn George, Q Magazine, Mar 1991
It’s full of glorious studio trickery and dance weirdness […] but sometimes gets a little on the wearing side because – in between all the brilliant dance bits – Bill and Jimi keep trying to show us how kooky and weird they are with their strange chants and bleeping noises.
Unknown, Mar 1991
