The White Room (The KLF 1989 Director’s Cut)

The White Room (Director’s Cut) is the fourth entry in the Samplecity Thru Trancentral series, released on all major streaming services on 23 April 2021. It is the first chapter not explicitely announced on the original flyposter.

The Director’s Cut is meant to fill a historic gap between the scrapped movie soundtrack and the later commercial album, presenting an alternate unreleased version of The White Room completed in 1989. Since this version predates the 1991 release it does not include some of the later tracks, most notably of course the later radio versions of What Time Is Love? and 3 a.m. Eternal as they had not been recorded at that point in history. It does, however, feature the original versions of Go To Sleep and The Lover’s Side (or edits thereof) as well as the previously promo-only Madrugada Eterna (Club Mix Edit).

Promotion & Advertising

Once again flyposters had been put up in the usual place, announcing the release date alongside a brief description and tracklist.

THE WHITE ROOM – Director’s Cut by The KLF is not The White Room album that was released globally by The KLF in various formats with various track listings in 1991. Nor was it a version of the same album not completed or released in 1989.

THE WHITE ROOM – Director’s Cut by The KLF is a version of The White Room that was completed but not released in 1990.

THE WHITE ROOM – Director’s Cut by The KLF was constructed in various recording studios by The Justified Ancients Of Mu Mu, between early 1989 and sometime in 1990.THE WHITE ROOM - Director's Cut Flyposter

Tracks & Formats

The White Room (Director’s Cut)

Digital Album / 23 Apr 2021
1 Go To Sleep 3:15
2 Make It Rain 3:49
3 Madrugada Eterna (Club Mix Edit) 3:02
4 Church of The KLF 1:42
5 Last Train To Trancentral (da Force, Over & Out) 5:49
6 Build A Fire 4:41
7 The White Room 3:47
8 No More Tears 9:22
9 The Lover’s Side 3:54
10 Justified & Ancient (Black Steel joins The JAMs) 4:44

As with previous releases in the Samplecity Thru Trancentral series, some of the tracks included on the Director’s Cut have been slightly altered or updated.

  • The fadeout on Go To Sleep happens earlier than on the soundtrack version, probably to avoid the sample of the Todd Terry Project’s Bango included with the original edit.
  • Make It Rain lacks the ‘Pump, pump, a little harder’ sample.
  • Church of The KLF starts with the reversed fade in from the original soundtrack version, omitting the ‘Take me, u-hu, take me…’ sample performed by P.P. Arnold. The Director’s Cut version also does not segue into the following track, though keen listeners will be able to hear a brief bit of new drum samples from the original soundtrack version played during the fadeout.
  • Last Train To Trancentral starts right after the string section and features a completely new additional verse from Ricardo Lyte after the breakdown.
  • The White Room is shorter than the album version.
  • The Lover’s Side has some of the “Ho-ho-ho-ho-hold me” bits removed and is slightly shorter than the soundtrack version.
  • Justified & Ancient has a slightly longer wind noises during the intro.

 

 

21 thoughts on “The White Room (The KLF 1989 Director’s Cut)

  1. Oh goodness. They butchered the segue from Church to LTTT by giving Church a lengthy fade out instead of directly segueing to LTTT. Almost every version (yes, even the US version) of the 1991 album did exactly that, surely they’ve forgotten?

    1. Might be an alternate version – you can hear some of the drums from the original version of ‘Church…’ during the fade-out. Keeping the original transition would have been the best option, though.

  2. So are these the outtakes that were mentioned rather than one of the five chapters?

    I’m afraid it doesn’t hold together well as an album, the old demo tracks sat amongst the newer finished product if you like. The sound quality however is impeccable.

    1. According to KLFRS.com: “There are rumours of A Lost Chapter. Maybe even A Hidden chapter”. And this release is A Lost Chapter.

  3. It’s very on-brand for the KLF to subvert the rules. Especially their own rules. Make a list, then deviate.

    1. KLFRS.com stated back in February 2021 that both “A Lost Chapter” and “A Hidden Chapter” were promised as part of the series. According to the site, this serves as “A Lost Chapter” (yes, it’s spelled exactly like that there). They’re not subverting their rules, they were part of it.

  4. I swear there is NO DIFFERENCE between Justified & Ancient in The White Room UK (1991) and The White Room – Director’s Cut!

    1. From March 1991 to today, if you had listened to this Album 50 Million times (like I have) and you listened in the 90s through a NAD amp & XP2 Wharefdales to today’s DRE Solo beats and have a better set-up you do need an musical ear’ you then can hear the difference straight away! Even in just this tune. Amazing work – underestimated indeed! Well done guys- ¯\_(ツ)_/¯

  5. Hello “signup”.
    Nobody knows if and when more chapters will be released.

    Me, for myself, I am a little bit upset to let us wait that long 🙁

  6. Nice , and I’d bet part of the “Banksy collective” I’d go with a group of artists and these two included. Oops , hope I’ve not given anything away.

  7. I think the streaming releases stopped because KLF did not earn any money with that option.

    It was wrong from the beginning on!

    To release no phyiscal products (CD, Vinyl) was the WRONG way because the main target group are people like me around 50 who still love to have physical products and most of us don’t stream, except film & series.

    For this reason I think there will no be further releases anymore, half of the chapters are still missing.

  8. The fans would buy physical releases regardless of a digital offering.
    Therefore they could release all the material as streaming beforehand.
    As an old fan I knew most of the music of the “4 chapters” (if the previous releases can be considered a “chapter” each..) and was looking forward to new material, at least to a 5th chapter …

  9. “To release no phyiscal products (CD, Vinyl) was the WRONG way because the main target group are people like me around 50 who still love to have physical products and most of us don’t stream, except film & series.”

    Though to be fair they’d make no money off a physical release either after production run cost are to be factored into play, in fact the only people making money off a physical release are the fans who’d hoover everything up on release only to flip them onto other folks at vast inflation, have you not seen what happens on RSD in the uk? line of folk standing outside stores , products vanishing faster than you can imagine, ebay listing by the end of the day with a 1000% inflation tag on it.

    Nah, stream away, might not make much money, but will make some money.

    Speaking as a man whose bought maybe one or two physical products in last 20 years

    Your mileage may vary and just my opinion 😀

  10. As a fan (since 1991), but non-expert:
    How much material is there approximately left for release (for how many (digital-)albums)?
    And is there commercial staff in the vein of the singles still unreleased?

  11. to remember what was planned:

    1: Kick Out The JAMs
    2: Pure Trance Series
    3: Come Down Dawn
    4: Moody Boys Selection
    5: Solid State Logik (Parts 1 & 2)

    Series 3 and 5 are already out.

    What I personally would like to see to be released as part of the “2: Pure Trance Series” in digital format:

    – Kylie In A Trance (Extended) [KLF PROMO] /until now Vinyl only
    – Kylie In A Trance (Remix) [KLF PROMO] /until now Vinyl only
    – 3 A.M. Eternal (Blue Danube Orbital Mix) [KLF 005R] /until now Vinyl only
    – What Time Is Love (Virtual Reality Mix) [KLF 004Y] /until now Vinyl only

    About 1: Kick Out The JAMs series, I don’t care, I suppose that will be their oldest stuff, 1987 and back.

    About 4: Moody Boys Selection, I don’t even care, too. I always found the “Moody Boys Reworks/Remixes” kind of too weird !

  12. “About 4: Moody Boys Selection, I don’t even care, too. I always found the “Moody Boys Reworks/Remixes” kind of too weird !”

    Wierd? compared to grown men singing about ice cream vans 😀

    Personally the Moody boys selection is the only one I’m sad didn’t’ see the light of day, though I kind of think it wouldn’t consist of anything not already out there, but still.

    By the way, LTTT – 120 Rocksteady – mwaah ! (makes kissing movement with hand)

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