The most frequently asked questions regarding The KLF. This is where you should start reading about the work of Bill Drummond and Jimmy Cauty to explore the History of the JAMS.
Differences between international releases. the recording of Chill Out and the other sound of Mu, covering the early Brilliant releases as well as the K Foundation and the One World Orchestra.
Bootlegs of rare KLF releases have been released aplenty over the time. While some of them can be easily spotted, others are hard to distinguish from the original issues.
What does […] sound like?
Some of the more rare and obscure tracks and projects can be hard to track down, so these should give you an idea of what to expect.
Other Creative Exploits
The never ending list of things, events and projects from, around, before and after The KLF – from the never finished White Room Motion Picture to the infamous burning of a million pounds on the Isle of Jura.
From T-Shirts to Books, from Promo Videos to home-made DVDs – there have been many non-CD releases and collectibles during all those years. Read more about them and find out wether they are still available.
Questions that didn’t fit into any other category so we had to create one for them.
The Fall are a British indie group from Manchester led by loud-mouth singer Mark E Smith. They have been releasing uncompromising guitar punk-pop tunes for an incredible 18 years so far. There is no connection to the KLF other than Big In Japan and The Fall started at the same time and they (and members of the Teardrops and Bunnymen) were all hangers on in the Northwest punk scene in 1977.
However there are some connections in the KLF’s body of work. Firstly The Fall’s ‘Totally Wired’ single is sampled in ‘Next’ on 1987. It was the only sample on the LP that they had permission to use, and it is the only sample that appears on 1987 – The Edits (JAMS 25) which is the LP with spaces instead of samples so that it’s legal!
Secondly the lyrics of “The Prestwich Prophets Grin” on “Who Killed the Jams?” contain a reference to The Fall. In a section on changing identities, and the end of the JAMs the lyrics are something like:
Well Mark E Smith, it’s your turn now/
To roll the dice and win/
The tables turned, now we’re The Fall/
The North will rise again!
Around this time the Fall were enjoying their only period of chart success, including a dance-influenced single called ‘Hit The North’.
Then The FALL was listed as one of the alias of the KLF in The Manual, and spelt out as The Forever Ancients Liberation Loophole (and on a 1990 T-shirt). This refers to the liberation loophole which their lawyer David Franks found to release them from their contract with Eternity in the White Room movie. They mention the liberation loophole in the lyrics of the UK LP version of ‘Last Train To Trancentral’ by the way.
Different people pretending to be the same person, is a common situationist-inspired tactic as practised by Stewart Home and friends who produce different magazines all called ‘Smile’ written by multiple Karen Elliots reviewing music produced by multiple Monty Cautsins.